Updated June 4, 2022
NB: Wherever possible I have used the new Annotated Harcourt Editions of Woolf’s work; otherwise I have mostly used the American Harcourt Editions. There are also a number of scholarly editions of Woolf's works from Shakesepeare Head and Cambridge, in particular, which offer excellent introductions and informative annotations. In addition, the holograph drafts of a number of her novels have been published. I have included these additional volumes after the first citation from a Woolf novel, violating normal alphabetical order in order to group all editions of a single book together..
Abel, Elizabeth. “Narrative Structure(s) and Female Development: The Case of Mrs. Dalloway.” In The Voyage IN: Fictions of Female Development, ed. Elizabeth Abel, Marianne Hirsch, and Elizabeth Langland. 161-85. Hanover NH: UP of New England, 1983.
Adamson, Judith, ed. Love Letters: Leonard Woolf and Trekkie Parsons, 1941-68. London: Chatto and Windus 2001; Pimlico, 2002.
Alt, Christina. Virginia Woolf and the Study of Nature. Cambridge UP, 2010.
Anscombe, Isabelle. Omega and After: Bloombury and the Decorative Arts. London: Thames and Hudson, 1982.
Anspaugh, Kelly. “Circe Resartus: To the Lighthouse and William Browne of Tavistock's Circe and Ulysses Masque.” pp. 161-91 IN: Greene, Sally (ed. and introd.) Virginia Woolf: Reading the Renaissance. Athens, OH: Ohio University Press; 1999.
Arnold, Anthea. Charleston Saved: 1979-1989. London: Robert Hale, 2010.
“Attack on Kew Orchid House.” The London Times, February 10, 1913, p. 9.
Bartrum, Douglas. Lilac and Laburnum. London: John Gifford, Ltd, 1959.
Bell, Quentin, Angelica Garnett, Henrietta Garnett, and Richard Shone. Charleston: Past and Present. London: The Hogarth Press1987. Contains Bell, Quentin. “Charleston Garden: A Memory of Childhood” and Garnett, Angelica. “The Earthly Paradise.”
Bell, Quentin and Virginia Nicolson. Charleston: A Bloomsbury House and Garden. 1997; rpt and rev, White Lion Publishing, 2018.
Bell, Quentin and Angelica Garnett, comp. Vanessa Bell’s Family Album. London: Jill Norman & Hobhouse Ltd., 1981.
Berry, Susan. Irises: A Romantic History with a Guide to Cultivation. Philadelphia, PA: Running Press, 1992.
Bisgrove, Richard. The Gardens of Gertrude Jeykll. 1997; Berkeley, CA: U of CAP, 2000.
Bishop, Edward. A Virginia Woolf Chronology. Boston, MA: G.K. Hall & Co., 1989.
Boddy, Kasia. Geranium. London: Reaktion Books, 2013.
Bradshaw, Tony, ed. A Bloomsbury Canvas: Reflections on the Bloomsbury Group. Lund Humphries, 2001.
Briggs, Julia. “’Cut deep and scored thick with meaning’: Frame and Focus in Woolf’s Later Short Stories.” 175-91 in Trespassing Boundaries: Virginia Woolf’s Short Fiction, ed. Kathryn N. Benzel and Ruth Hoberman. New York: Palgrave Macmillan, 2004.
Briggs, Julia. “Virginia Woolf Reads Shakespeare: Or, Her Silence on Master William.” Shakespeare Survey, 2005, Vol.58, p.118-29. Rpt in Reading Virginia Woolf. Edinburgh UP, 2006. Pp. 8-24.
Brown, Bill. “Thing Theory.” Critical Inquiry, 2001 Autumn; 28 (1): 1-21.
Brown, Jane. Sissinghurst: Portrait of a Garden. Phoenix Illustrated in association with The National Trust, 1994.
Cash, R. Christain. “Xbury Azaleas - From History To Your Garden.”http://scholar.lib.vt.edu/ejournals/JARS/v40n1/v40n1-cash1.htm
Cixous, Helene. “Castration or Decapitation?” Trans. Annette Kuhn. Signs 7.1 (autumn 1981): 41-55.
Coleman, Lisa. “Roots, Woolf, and an Ethics of Desire.” pp. 110-116 in Virginia Woolf: Art, Education, and Internationalism, Royer, Diana (ed. and introd.) and Detloff, Madelyn(ed. and introd.) Clemson University Digital Press, 2008.
Coles, Peter. Mulberry. London: Reaktion Books, 2019.
Cramer, Patricia Morgne. “Trauma and Lesbian Returns in Virginia Woolf’s The Voyage Out and The Years.” Pp. 19-50 in Virginia Woolf and Trauma: Embodied Texts, Ed. Suzette Henke and David Eberly. New York: Pace University Press, 2007.
Crane, D.B. The Book of the Sweet Pea. 1910; rpt Self-Reliance Books, 2017.
Darcy, Jane. “Primrose Island: Keats and the Isle of Wight.” Keats-Shelley Review 32.1 (2018):28-46.
Dean, Richard, et al. The Dahlia: Its History and Cultivation. London: Macmillan and Co., ltd, 1903.
De Gay, Jane. Virginia Woolf’s Novels and the Literary Past. Edinburgh UP, 2006, 2007.
DeSalvo, Louise A. “Virginia Woolf at Fifteen.” pp. 78-108 IN: Marcus, Jane (ed.) Virginia Woolf: A Feminist Slant. University of Nebraska Press; 1983.
---. Virginia Woolf’s First Voyage: A Novel in the Making. Roman and Littlefield: Totowa, NJ, 1980.
Daugherty, Beth Rigel. “’A corridor leading from Mrs. Dalloway to a new book’: Transforming Stories, Bending Genres.” 101-24 in Trespassing Boundaries: Virginia Woolf’s Short Fiction, ed. Kathryn N. Benzel and Ruth Hoberman. New York: Palgrave Macmillan, 2004.
Eberly, Susan. “A Thorn Among the Lilies: The Hawthorn in Medieval Love Allegory.” Folklore 100.1 (1989): 41-52.
Edwards, Nina. Weeds. London: Reaktion P, Ltd. 2015.
Ellacombe, Henry. The Plant-Lore and Garden-Craft of Shakespeare. 1896; rpt. Dover, 2017.
Eldredge, Charles C. “Calla Moderna:’Such a Strange Flower’.” 4-37 in Georgia O’Keeffe and the Calla Lily in American Art, 1860-1940. New Haven, CT: Yale UP, 2002.
Ellis, E.T. The Garden for Expert and Amateur. London: Daily Express Publications, 1930.
Fernald, Anne, ed. Mrs. Dalloway by Virginia Woolf. The Cambridge Edition of Virginia Woolf. Cambridge UP, 2015.
Fisher, Celia. Tulip. London: Reaktion Books, 2017.
Folkard, Richard. Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom.  Rpt. by San Bernadino CA: Pantinos Classics, 2018.
Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde. New York: Columbia UP, 2005.
---. “Out of the Chrysalis: Female Initiation and Female Authority in Virginia Woolf's The Voyage Out.” Tulsa Studies in Women's Literature 5.1 (Spring 1986): 63-90.
Garnett, Angelica. Deceived with Kindness: A Bloomsbury Childhood. 1984 rpt. London: Random House/ Pimlico, 1995.
Gillespie, Diane. Introduction to Roger Fry: A Biography, ed. Diane F. Gillespie. Blackwell, Shakespeare Head Press, 1995.
Glendinning, Victoria. Leonard Woolf. London: Simon & Schuster UK, 2006.
Goldman, Jane. The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism and the Politics of the Visual. Cambridge, England: Cambridge UP; 1998.
Graves, Robert. The White Goddess. 1948; 4th ed, New York: Farrar, Straus and Grioux, 1997.
Green, Jonathon. Cassell's Dictionary of Slang: A Major New Edition of the Market-Leading Dictionary of Slang. 2nd ed. Cassell, 2006.
Greenaway, Kate. The
Language of Flowers. London: Routledge 1884. Rpt. Dover, 1992.
Hadjiyaiannis, Christos.“Romanticism versus Classicism in 1910: T. E. Hulme, Edward Storer, and The Commentator.” Literature & History 22.1 (2013): 25-41.
Hancock, Nuala. Gardens in the Work of Virginia Woolf. Cecil Woolf,
---. “Virginia Woolf and Gardens.”pp. 245-260 IN: Humm, Maggie (ed. and introd.) The Edinburgh Companion to Virginia Woolf and the Arts. Edinburgh, Scotland: Edinburgh UP; 2010.
---. Charleston and Monk's House: The Intimate House Museums of Virginia Woolf and Vanessa Bell. Edinburgh, Scotland: Edinburgh UP; 2012.
Harding, Alice, Peonies in the Little Gardens & The Book of the Peony. 1917. Introduced and updated by Roy G. Hlehm. Sagapress/ Timber Press: Portland, OR, 1993, rpt. 1995.
Harland, Gail. Snowdrop. London: Reaktion Books, 2016.
Hawkes, Ellen. Ed. “Friendship’s Gallery by Virginia Woolf.” Twentieth Century Literature 25.3/4 (Autumn-Winter 1979): 270-302.
---. “Woolf’s ‘ Magical Garden of Women.” 31-60 In New Feminist Essays on Virginia Woolf. Ed. Jane Marcus. Lincoln: U of Nebraska Press, 1981.
Heilmeyer, Marina. The Language of Flowers; Symbols and Myths. London: Preste. Verlag, 2001.
Hoberman, Ruth. Modernizing Lives: Experiments in English Biography, 1918-1939. Carbondale Il: Southern Illinois UP, 1987.
Hoff, Molly. Virginia Woolf's Mrs. Dalloway: Invisible Presences. Clemson SC: Center for Electronic and digital publishing, 2009.
Hogan, Scott, Consultant. Flora: A Gardener’s Encyclopedia. Portland, OR: Timber Press, 2003.
Hollinsworth, E. Buckner. Flower Chronicles. Chicago, IL: U of Chicago P, 1958.
Hollis, Catherine W. Leslie Stephen as Mountaineer:”Where does Mont Blanc end, and where do I begin?” London: Cecil Woolf, 2010.
Holroyd, Michael. Lytton Strachey: A Biography. 1971; rpt and rev 1979. London: Penguin, 1980.
Horwood, Catherine. Rose. London: Reaktion Books, 2018.
Humphries, Rolfe, trans. Ovid’s Metamorphoses. 1955; Bloomington, Indian UP, 1973.
Humm, Maggie. Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell. New Brunswick, NJ: Rutgers UP, 2006.
Hussey, Mark. Virginia Woolf: A to Z. Oxford UP, 1995.
Jacobsen, Sally. “Between the Acts: Ottoline Morrell and Mrs. Manresa, D.H. Lawrence and Giles Oliver.” 50-6 in Southworth, Helen (ed. and introd.); Sparks, Elisa Kay (ed. and introd.); Zimring, Rishona (introd.); Woolf and the Art of Exploration: Selected Papers from the Fifteenth International Conference on Virginia Woolf. Clemson, SC: Clemson U Digital P, 2006.
Jekyll, Gertrude. Colour Schemes for the Flower Garden. 1908. Intro and rev. Graham Stuart Thomas. The Ayer Compnay: Salem, NH, 1983.
King, Julia and Laila Miletic-Vejzovic. The Library of Leonard and Virginia Woolf: A Short-title Catalog. Pullman, WSU Press, 2003.
Kopley, Emily. Virginia Woolf and Poetry. Oxford UP, 2021.
Kosugi, Sei. “Representing Nation and Nature: Woolf, Kelly, White.” 81-96 in Locating Woolf: The Politics of Space and Place, ed. Anna Snaith and Michael Whitworth. Palgrave Macmillan 2007.
Kukil, Karen, curator. “Leslie Stephen’s Photograph Album.” Smith College Libraries.. <http://www.smith.edu/libraries/libs/rarebook/ exhibitions/Stephen> Accessed June 16, 2006.
Lack, Andrew. Poppy. London: Reaktion Books, Ltd., 2016.
Lawson, Elizabeth. Primrose. London: Reaktion Books, Ltd., 2019.
Layne, Bethany. “The 'Supreme Portrait Artist' and the 'Mistress of the Phrase': Contesting Oppositional Portrayals of Woolf and Bell, Life and Art, in Susan Sellers's Vanessa and Virginia.” Woolf Studies Annual 21 (2015): 78-106.
Lee, Hermione. Virginia Woolf. NY: Random House, 1996.
Lehner, Ernst and Johana. Folklore and Symbolism of Flower, Plants, and Trees. 1960; Meineloa NY: Dover Publications, Inc. 2003.
Lilienfeld, Jane. “The Gift of a China Inkpot': Violet Dickinson, Virginia Woolf, Elizabeth Gaskell, Charlotte Bronte, and the Love of Women in Writing.” 37-56 In Barrett, Eileen (ed. and introd.); Cramer, Patricia (ed. and introd.) Virginia Woolf: Lesbian Readings. New York, NY: New York UP; 1997.
Low, Lisa “Listen and Save': Woolf's Allusion to Comus in Her Revolutionary First Novel.” pp. 117-35 IN: Greene, Sally (ed. and introd.) Virginia Woolf: Reading the Renaissance. Athens, OH: Ohio UP; 1999.
Mahood, Molly. The Poet as Botanist. Cambridge UP 2008.
Mancoff, Debra N. The Pre-Raphelite Language of Flowers. Munich, London, New York: Prestel Publishing, 2002.
Mansfield, Katherine. The Journal of Katherine Mansfield, ed. J. Middleton Murray. The University of Glasgow: Robert McClehouse and Co., Ltd., 1927.
Marcus, Jane. The Languages of Patriarchy. Bloomington, IA: Indiana UP, 1987.
Marcus, Laura. “’In the Circle of the Lens’: Woolf’s ‘Telescope’ Story, Scene-making, and Memory.” Journal of the Short Story in English 50 (2011): 1-14.
Mattison, Laci. “The Metaphysics of Flowers in The Waves: Virginia Woolf's 'Seven-Sided Flower' and Henry Bergson's Intuition.”71-77 in Virginia Woolf and the Natural World: Selected Papers from the Twentieth Annual International Conference on Virginia Woolf. Ed. Kristin Czarnecki and Carrie Rohman, Carrie. Clemson, SC: Clemson University Digital; 2011
McHenry, James, Patrick. “A Milton Herbal.” Milton Quarterly 30.2 (1996): 45-110.
Milroy, Sarah and Ian A.C. Dejardin, eds. Vanessa Bell [Exhibition catalogue]London: Dulwich Picture Gallery, 2017.
Okamura, Sayaka. “Rhoda Reads Shelley in The Waves: Echoes of ‘The Question’.”Virginia Woolf Bulletin 40 (May 2021): 8-14.
Petrino, Elizabeth A., "Late
Bloomer: The Gentian as Sign or Symbol in the Work of Dickinson and Her
Contemporaries" (2005). English Faculty Publications. 72.
Phillips, Kathy J. Virginia Woolf against Empire. Knoxville, U of Tennessee P, 1994.
Potter, Jennifer. The Rose. London: Atlantic Books and Callisto, 2013.
Pratt, Anne. Flowers and Their Associations. London: Charles Knight & co., 1846.
Quealy, Gerit. Botanical Shakespeare: An Illustrated Compendium. New York: Harper Collins, 2017.
Radin, Grace. Virginia Woolf’s The Years: The Evolution of a Novel. Knoxville: U of Tennesse P, 1981.
Rave, Sarah and Vita Sackville-West. Sissinghurst: Vita Sackville-West and the Creation of a Garden. St. Martin's Press; 1st Edition (November 4, 2014)
Reed, Christopher. Roger Fry’s Durbins: A House and Its Meanings. [Bloomsbury Heritage No. 24] London: Cecil Woolf, 1999.
Reiss, Marcia. Lily. London: Reaktion Books, 2013.
Rendall, Vernon. Wild Flowers in Literature. London: The Scholartis Press, 1934.
Rice, Graham. The Sweet Pea Book. London: B.T. Batsford, 2003.
Richter, Harvana. “Hunting the Moth: VW and the Creative Imagination. 13-28. In VW: Revauation and Continuity, ed. Ralph Freedman. Berkeley: U of California P, 1980.
Roof, Judith. “The Match in the Crocus: Representations of Lesbian Sexuality.” 100-116 in Discontented Discourses: Feminism/Textual Intervention/Psychoanalysis. Ed. Marleen Barr and Richard Feldstein. University of Illinois Press, 1989.
Robinson, William. The English Flower Garden. 15th ed, 1933; rpt and rev 1984. A Ngaere Mccray Book, Sagapress, Inc: Sagaponack, New York, 1984.
Rosenbaum, S.P. The Bloomsbury Group Memoir Club. Ed. James M. Haule. London: Palgrave/ Macmillan, 2014.
Sackville‑West, V. In Your Garden. 1951; Oxenwood Press, Ltd, 1996.
---. In Your Garden Again. 1953; Oxenwood Press, Ltd, 1998.
---. Some Flowers. 1937. New York: Harry N. Abrams, Inc., 1993.
---. Vita Sackville-West’s Garden Book. Ed. Philippa Nicolson. 1968; New York: Atheneum, 1983.
Sartilot, Claudette. Herbarium Verbarium: The Discourse of Flowers. Lincoln: U of Nebraska P, 1993.
Saunders, Judith P. “Mortal Stain: Literary Allusion and Female Sxuality in ‘Mrs. Dalloway in Bond Street’.” Studies in Short Fiction 15 (1978): 139-44.
Saunders, Nicholas J. The Poppy: A History of Conflict, Loss, Remembrance and Redemption. London: Oneworld Publications, 2014.
Seaton, Beverly. The Language of Flowers: A History. Charlottesville: UP of Virginia, 1995.
Shackleton, David. “The Pageant Of Mutabilitie: Virginia Woolf’s Between The Acts and The Faerie Queene.” The Review of English Studies 68, no. 284 (2016).
Sitwell, Sacheverall. Old Fashioned Flowers. London: Country Life Ltd. 1939.
Simpson, Kathryn. Gifts, Markets, and Economies of Desire in Virginia Woolf. Palgrave/Macmillan, 2008.
Slade, Naomi. Hydrangeas: Beautiful Varieties for Home and Garden. Layton Utah, Gibbs Smith, 2020.
Smith, Amy C “Loving maidens and patriarchal mothers: revisions of the Homeric Hymn to Demeter and Cymbeline in Mrs Dalloway.” Woolf Studies Annual, 17 (2011): 151 -72.
Solnit, Rebecca. Orwell’s Roses. New York City: Viking/Penguin Random House, 2021.
Spalding, Frances. Roger Fry: Art and Life. 1980; Black Dog Books, 1999.
Sparks, Elisa Kay. “Bloomsbury in Bloom: Virginia Woolf and the History of British Gardens.” Art, Education, and Internationalism: Selected Papers from the Seventeenth Annual International Conference on Virginia Woolf. Diana Royer and Madelyn Detloff, eds. Clemson University Digital Press, 2008. pp. 125-130.
---. “‘The curious phenomenon of your occipital horn’: Spiraling around Snails and Slugs in Virginia Woolf.” Virginia Woolf Miscellany 84 (Fall 2013): 22-24.
---. “’The evening under lamplight…with the photograph album’: To the Lighthouse as Family Scrapbook.” 164-71 in Woolfian Boundaries: Selected Papers from the Sixteenth Annual International Conference on Virginia Woolf. Ed. Anna Burrells, Steve, Ellis, Deborah Parsons, and Kathryn Simpson. Clemson U Digital Press, 2007.
---. “'Everything Tended To Set Itself in a Garden': Virginia Woolf's Literary and Quotidian Flowers: A Bar-Graphical Approach.”pp. 42-60 IN: Czarnecki, Kristin (ed. and introd.); Rohman, Carrie (ed. and introd.) Virginia Woolf and the Natural World. Clemson, SC: Clemson University Digital; 2011.
---. “Floral Versions of the Pastoral in Jacob’s Room. pp. 13-29 in A Prosa de Virginia Woolf. Maria A. de Oliveria, Patricia Marouvo, and Lucas Leite Borba and Organizadores. Ape’Ku Editora e Produtora Ltda, Brazil, 2021.
---. “Forward into the Past: Virginia Woolf’s Heterotopian Utopian Impulse.” Virginia Woolf and the City: Proceedings from the Nineteenth Annual International Conference on Virginia Woolf. Ed. Elizabeth Evans and Sarah Cornish. CU Digital Press, 2010. 136-42.
---. “’In Fading Silks Compose’: Reading Virginia Woolf’s Rosary.” 35-44 in Literaturas de Lingua Inglesa: Leituras Interdisciplinaries, 2. Ed. Davi Pinho and Fernanda Medieros. Rio De Janeiro, Brazil: Letra Capital Editoria, 2017.
----. "Leonard and Virginia's London Library: Mapping London's Tides, Streams and Statues." Virginia Woolf's Bloomsbury, Vol. I. Gina Potts and Lisa Shahriari, eds. London: Palgrave/ Macmillan, 2010, pp.64-74.
---. “Leonard’s Vegetable Empire: A History of the Garden at Monk’s House.” Virginia Woolf Bulletin No. 12 (January 2003): 10-19.
---. “(No) ‘Loopholes of Retreat ‘: The Cultural Context of Parks and Garden’s in Woolf’s Life and Work.” Woolf Across the Generations: Selected Papers from the Twelfth International Conference on Virginia Woolf. Merry M. Pawlowski and Eileen Barrett, eds . Clemson University Digital Press, 2003. Pp. 36-41.
“'Pansies! Rosemary! Violence! My Wedding Bouquet': The Violence of Violets in Virginia Woolf." Conversa com Virginia Woolf. Davi Pinho, Maria A. de Oliveria, and Nicea Nogueir, Organizadores. Colecao X. Rio de Janeiro, 2020.
---. “Sunflower Suture: Disseminating the Garden in The Years.” 119-26 in Interdisciplinary/ Multidisciplinary Woolf: Selected Papers from the Twenty-Second Annual International Conference on Virginia Woolf, ed. Ann Martin and Kathryn Holland. Clemson, SC: Clemson University Digital; 2013.
---. “Twists of the Lily: Floral
Ambivalence in the Work of Virginia Woolf and Georgia O’Keeffe.” 36-46 in Virginia Woolf and Her Female
Contemporaries: Selected Papers from the Twenty-Fifth Annual International
Conference on Virginia Woolf, ed. Julie Vandivere and Megan Hicks. Clemson
Spater, George and Ian Parsons. A Marriage of True Minds: An Intimate Portrait of Leonard and Virginia Woolf. NYC: Harcourt Brace Jovanovich, 1977.
Spiropoulou. Angeliki. "’On Not Knowing Greek’: Virginia Woolf's Spatial Critique of Authority .” Interdisciplinary Literary Studies Vol. 4, No. 1 (Fall 2002), pp. 1-19.
Sproles, Karyn Z. Desiring Women: The Partnership of Virginia Woolf and Vita Sackville-West. U of Toronto P, 2006.
Staub, Jack. 75 Exceptional Herbs for your Garden. Salt Lake City: Gibbs Smith, 2008.
Stephen, Leslie, Sir Leslie Stephen’s Mausoleum Book. With an Introduction by Alan Bell. Oxford: Clarendon Press, 1977.
Stewart, Jack F. "Color in To the Lighthouse." Twentieth-Century Literature 31.4 (Winter 1985): 438-58.
Stewart, Jack; A 'Need of Distance and Blue': Space, Color, and Creativity in To the Lighthouse.” Twentieth Century Literature 46.1 (2000 Spring): 78-99.
Trapp, J. B. “The Owl's Ivy and the Poet's Bays: An Enquiry into Poetic Garlands.”Journal of the Warburg and Courtauld Institutes , 21 (1958): 227-55.
Tyler, Lisa. “Mother-Daughter Passion and Rapture: The Demeter Myth in the Fiction of Virginia Woolf and Doris Lessing.”. pp. 73-91 IN: Saxton, Ruth (ed.); Tobin, Jean (ed.) Woolf and Lessing: Breaking the Mold. New York: St. Martin's, 1994.
Walford, Edward. 'Kensington Gardens', in Old and New London: Volume 5 (London, 1878), pp. 152-161. British History Online http://www.british-history.ac.uk/old-new-london/vol5/pp152-161 [accessed 23 May 2020]Ward, Bobby J. A Contemplation Upon Flowers: Garden Plants in Myth and Literature. Portland, OR: Timber Press, 1999.
Ward, William E. “The Lotus Symbol: Its Meaning in Buddhist Art and Philosophy.” The Journal of Aesthetics and Art Criticism 11.2 (December 1952): 135-46.
Warner, Eric. The Waves. Cambridge UP, 1987.
Watts, D. C. Elsevier’s Dictionary of Plant Lore. Academic Press: London, 2007.
Westman, Karin E. “The First Orlando: The Laugh of the Comic Spirit in Virginia Woolf's 'Friendships Gallery'.” Twentieth Century Literature 47.1 (2001 Spring;): 39-71.
Winston, Janet. “Reading Influences: Homoeroticism and Mentoring in Katherine Mansfield’s ‘Carnation’ and Virginia Woolf’s ‘Moments of Being: Slater’s Pins Have No Points.” Barrett, Eileen and Patricia Cramer, eds. Virginia Woolf: Lesbian Readings. New York UP, 1997. 57-77Wood, Andelys. “Buying Flowers and the Ecology of London in Mrs. Dalloway.” Mosaic 36.2 (June 2003): 19-33.
Zoob, Caroline. Virginia Woolf’s Garden: The Story of the Garden at Monk’s House. London: Arum Press, Jacqui Small LLP, 2013.
Woolf, Leonard. Downhill All the Way: An Autobiography of the Years 1919 to 1939. New York, NY: Harcourt Brace 1967.
---. Garden Diary and Account Books. University of Sussex Library, Special Collections, Leonard Woolf Papers. Box II, item 3i.
---. The Letters of Leonard Woolf. Ed. by Frederic Spotts. NYC: Harcourt Brace Jovanovich, 1989.
--Between the Acts. 1941. Annotated and with an Introduction by Melba Cuddy- Keane. New York: Harcourt, 2008.
Pointz Hall: The Earlier and Later Typescripts of Between the Acts. Ed. with an Intro, Annotations and an Afterword, by Mitchell A Leaska. New York: University Publications(U of Michigan), 1983.
---. The Complete Shorter Fiction of Virginia Woolf. Ed. Susan Dick. 2nd. Ed. New York: Harcourt, 1989.
---. The Diary of Virginia Woolf. 5 vols. Ed. Anne Olivier Bell and Andrew McNellie. New York, NY: Harcourt Brace, 1977-1984.
---. The Essays of Virginia Woolf. 6 vols. Ed. Andrew McNeillie and Stuart N. Clarke. London: The Hogarth Press; New York: Harcourt, 1987-2011.
---. Freshwater: A Comedy. Edited and with a Preface by Lucio P. Ruotolo. Harcourt Brace Jovanovich, 1976.
--- “Friendship’s Gallery.” 1907. Ed. Ellen Hawkes. Twentieth Century Literature 25 (1979): 270-302.
---. Jacob’s Room. 1922. Annotated and with an Introduction by Vara Neverow. New York: Harcourt, 2008.
---. Virginia Woolf's Jacob's Room: The Holograph Draft. Ed. Edward Bishop. Pace Univ Pr (June 1998).
---. The Letters of Virginia Woolf. 6 vols. Ed. Nigel Nicholson and Joanne Trautmann. Harcourt, 1975-80.
---. The London Scene: Five Essays by Virginia Woolf. NY: Random House, 1975.
---. Melymbrosia: An Early Version of the Voyage Out by Virginia Woolf. Ed. Louise A. DeSalvo . New York Public Library 1981.
---. Moments of Being: Unpublished Autobiographical Writings. Ed. Jeanne Schulkind. 2nd. Ed. Harcourt, 1976.
---. Mrs. Dalloway. Annot. And Intro by Bonnie Kime Scott. Harcourt, 2005.
---. Mrs. Dalloway by Virginia Woolf. The Cambridge Edition of Virginia Woolf. Fernald, Anne, ed. Cambridge UP, 2015.
---. “The Hours: The British Museum Manuscript of Mrs. Dalloway. Transcribed and edited by Helen M. Wussow. New York: Pace UP, 2010.
---. Night and Day. 1920. Harcourt, 1948.
---. Orlando. 1928. Annotated and with an Introduction by Maria DiBattista. New York: Harcourt , 2006.
---. The Cambridge Edition of the Works of Virginia Woolf. Orlando: A Biography. Ed. Suzanne Raitt and Ian Blyth. Cambridge UP 2008.
---. Orlando: The Holograph Draft. Transcribed and edited by Stuart Nelson Clarke. SN Clarke: Lonson, 1993.
---. A Passionate Apprentice: The Early Journals 1897-1909. Ed. Mitchell A. Leaska. New York: Harcourt, 1990.
---. Roger Fry: A Biography. 1940; NY: Harcourt, Brace Jovanovich, 1968.
---. A Room of One’s Own. 1929. Annot and Intro by Susan Gubar, New York: Harcourt, 2005.
---. Women and Fiction: The Manuscript Versions of a Room of One’s Own. Ed. S.P. Rosenbaum. Shakespeare’s Head Press. Oxford, Blackwell’s, 1992.
---. “Some New Letters.” Ed. Joanne Trautmann Banks. Modern Fiction Studies. 30.2 (Summer 1984): 175-202.
---. To the Lighthouse. 1927. Annotated and with an Introduction by Mark Hussey. New York: Harcourt, 2005.
---. To the Lighthouse: The Original Holograph Draft : by Virginia Woolf. Ed. Susan Dick. University of Toronto Press, 1982.
---. The Voyage Out. Harcourt Brace (Harvest), 1948.
---. Melymbrosia: An Early Version of the Voyage Out by Virginia Woolf. Ed. Louise A. DeSalvo . New York Public Library 1981.
---. The Waves. 1931. Annotated and with an Introduction by Molly Hite. New York: Harcourt, 2006.
---. The Waves: The Two Holograph Drafts by Virginia Woolf. Transcribed and Edited By J. W. Graham. London: The Hogarth Press, 1976.
---. The Years.1939. Annot. And Intro by Eleanor McNees. New York: Harcourt, 2008.
---. The Shakespeare Head Edition of The Years by Virginia Woolf. Bradshaw, David and Ian Blyth, eds. John Wiley & Sons Ltd/ Blackwell Publishing, 2012.
---. The Pargiters: The Novel-Essay Portion of The Years. Ed. Mitchell A. Leaska. A Harvest Book. NY: Harcourt Brace Jovanovich, 1977.
--- and Lytton Strachy. Virginia Woolf and Lytton Strachey: Letters. Selected and Annotated by Leonard Woolf and James Strachey. New York: Harcourt, Brace and Company, 1956.